Explore Collections Explore The Collections
You are here: CollectionsOnline  /  Capriccio showing two columned courts composed of banded columns with a storey of caryatid figures above, supporting a shallow dome.
  • image Adam vol.56/172

Reference number

Adam vol.56/172

Purpose

Capriccio showing two columned courts composed of banded columns with a storey of caryatid figures above, supporting a shallow dome.

Aspect

Perspective

Inscribed

Inscribed in red ink 172.verso in ink in a contemporary hand: To finde ye content of ye convex superficies of a Cylinder/ Multiply ye Circumference of ye Base of ye Cylinder by (a b) ye height of ye/ Cylider and ye product will be ye content of ye convex superficies of ye/ Cylinder

Signed and dated

  • Undated, eighteenth century.

Medium and dimensions

Pencil, pen, brown wash; double red ink framing lines on backing sheet284 x 243, silhouetted and laid/mounted onto backing sheet

Hand

Unidentified eighteenth-century artist

Verso

The inscription appears to have little to do with the drawing on the recto.

Notes

This composition is probably derived from a late sixteenth-century print, possibly northern European. It can be compared with the style of the capricci in Adam vol.56/29 and 30. The printed source of the drawing probably came from the library at Blair Adam; the hand is mature and sophisticated.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).