Scale
(146-148) bar scales of 1/6 inch to 1 foot
Inscribed
146 labelled: Sink (twice), Wash houses, Cistern and some dimensions given
147 labelled: Mr Farquhar, Army Arrear Office, (pencil) 13.9 (twice)
148 some dimensions given
Signed and dated
- August 1832
(146) (in Soane's hand) Saturday 11 Aug 1832
Medium and dimensions
(146) Pen, pink, grey, black and yellow washes, pricked for transfer on two sheets of wove paper, affixed, with large tear (740 x 655) (147) pen, pink, grey, blue and sepia washes, pricked for transfer on laid paper (282 x 464) (148) pen, pink, grey, blue and yellow washes, pricked for transfer on wove paper (368 x 526)
Hand
Soane office
Watermark
(147) W Weatherley 1829 (148) Smith & Allnutt 1830
Notes
Drawings 146-148 show the east part of the basement and part of the Army Arrear Office. This building had shared a party wall with Lady Suffolk's house but Soane created a passage between it and the New State Paper Office. Concerns were expressed in December 1830 that the Army Arrear Office was 'in a state of immediate and imminent danger' - Soane offered his reassurances that the building had been shored up (SM Priv. Corr. XI.K.1.45-46). On drawings 146 and 148 are details of the supports used to reinforce the outer wall of the Army Arrear Office. There were three such supports according to the plan on drawing 148. In January 1833 Soane gave directions for the walls of the Army Arrear Office and Mr Farquhar's houses to be rebuilt (SM Priv. Corr. XI.K.2). Drawings 146 and 147 show alternative designs for the outhouses below the pavements in front of the new building on Duke Street which include a 'wash house' and one or two other rooms.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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