Scale
(133, 135) bar scales of 5/13 inch to 10 feet (134) to a scale of 5/13 inch to 10 feet
Inscribed
134 labelled: Designs for the New State Paper Office, Front as suggested by Mr Goulburn
135 labelled: Designs for the New State Paper Office, Front as suggested by Mr Golburn (sic)
Signed and dated
- July 1831
(133) (pencil) 11th July 1831 (134, 135) 14 July 1831
Medium and dimensions
(133-135) Pen, sepia, yellow ochre, black and blue washes on laid paper (326 x 205, 326 x 202, 327 x 203)
Hand
(133-135) Charles James Richardson (1809-71, pupil and assistant 1824-1837)
Watermark
(133-135) affixed in volume, information not available
Notes
Drawings 133-135 are presentation drawings made before its completion but showing the New State Paper Office as executed. At the bottom of drawings 134 and 135 is the 'front as suggested by Mr Goulburn', q.v. drawings 43-46. Drawing 133 has comparative elevations of the new State Paper Office to Goulburn's design and the Banqueting House, a trick used by Soane to show the difference in scale between the two buildings and to suggest the inappropriateness of Goulburn's pilasters on the new building. The comparison had been made before in drawings 41-42.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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