Scale
(68) bar scale of 1/6 inch to 1 foot (69) bar scale of 1/4 inch to 1 foot
Inscribed
68 (in Soane's hand) Entab[lature] / 22d May and some dimensions given
69 (in Soane's hand) Final Except Chimnies
Signed and dated
- May 1830
(68) (in Soane's hand) Friday 21 May 1830 (69) (in Soane's hand) Sunday / 23d May 1830 / L.I.F. (70) (in Soane's hand) Lincolns Inn Fields / 24 May 1830 and (pencil) May 23d 1830
Medium and dimensions
(68) Pen, sepia, yellow ochre, black and pink washes, (verso: pen and pink wash) pricked for transfer with single ruled border on wove paper (367 x 423) (69) pen, pencil, sepia, yellow ochre, grey and pink washes, pricked for transfer on wove paper (475 x 507) (70) pencil, sepia and black washes, pricked for transfer with single ruled border on laid paper (292 x 465)
Hand
Soane office
Watermark
(69) Smith & Allnutt 1823 (70) W Weatherley 1829
Notes
Henry Bankes (1757-1834), MP for Corfe Castle, proposed raising the attic storey to 11 feet 6 inches (from 8 feet). Soane and Bankes had had a previous run-in over the Court of King's Bench in March 1824 which lead to that building being redesigned in a Gothic style. Drawings 68-70 show designs incorporating the new, higher attic with the windows in the cornice on drawing 69. Drawings 69 and 70 also show a new design for the chimneys with spiral detailing and a parapet with a hipped effect. In pencil on drawing 69 is the outline of one of the chimney flues.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).