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Reference number
Purpose
Aspect
44 Plan of the Ground Floor of the New State Paper Office
45 Elevation of the North Front
46 Letter from B. C. Stephenson to Soane
Scale
Inscribed
44 as above, Lincolns Inn Fields, labelled: Duke Street, Messenger / 12'6'' by 13'9'', Water / Closet, Housemaids / Closet, Reading Room / 12'6'' by 13'9'', Waiting Room, 12'6'' by 19'0'', Staircase, Entrance Hall, 12'6'' by 19'0'', Room / for keeping / Treaties / 21' by 24', Deputy Keeper / 23'0'' by 17'0'', Room for / the Keeper of / State Papers / 21' by 24', This Plan has been finally approved of / for the New State Paper Office by the / Lords Commissioners of His Majesty's / Treasury
45 as above, New State Paper Office, Lincolns Inn Fields, This Elevation has been finally approved / of for the New State Paper Office by the Lords / Commissioners of His Majesty's Treasury
46 Sir, / I herewith transmit you the Elevations / and Plan, marked No 3, for the New State Paper / Office, which have been finally approved of by the Lords / Commissioners of His Majesty's Treasury, / and I likewise / transmit the Plans, and Designs, for this Building / marked No 2 - the Plans of which are to be executed / but with reference to the alterations in the position / of the Chimnies, as approved of in the Plan marked / No 3. I have been directed to request your / earliest attention to the execution of the above works, / as far as the Sum limitted (sic) for the expenses of the / same within the present year will permit. // I have the honor (sic) to be / Sir / Your most Obedt Servt / B C Stephenson // John Soane Esqre / &c &c &c
Signed and dated
- September 1829
(43) John Soane / L. I. Fields, September 1829 (44, 45) (notes) B C Stephenson, Office of Works / 24th June 1830 (46) Office of Works / 26th June 1830
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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).