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- (3) July 24 1794
Drawing 2 has cancellations and amendments made by Soane and seems generally unresolved. The House of Lords now occupies the Painted Chamber while the old House of Lords contains the King's Robing Room and an anteroom. The King's Entrance and the Lords' Entrance are next to each other on the west side.
Drawing 3 is closer to drawing 2 than to drawing 1. But here, the Court of Requests is re-modelled with an apsidal screen and two domes, and to the south an entrance with a quarter-circle stair on each side. Drawing 1 relates, in some aspects, to the scheme that follows while drawings 2 and 3, on the whole, seem unrelated to further drawings.
On each drawing, the unfinished pencil plan to the left is a survey drawing that includes the House of Commons and part of Westminster Hall.
S. Sawyer, 'Soane at Westminster'. PhD thesis, Columbia University, 1999, pp. 162-3 puts drawing 1 (with 6 and 8) as scheme 'A1' in Soane's sequence of designs for the House of Lords. Sawyer (pp. 166-7) also writes that drawing 2 (with 10 and 28) is attributed to scheme 'B' while (pp. 165-6) drawing 3 (with 12, 13 and 22) comprises scheme 'C'.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).