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  • image Image 1 for SM (231) 49/6/10 (232) 49/6/9
  • image Image 2 for SM (231) 49/6/10 (232) 49/6/9
  • image Image 1 for SM (231) 49/6/10 (232) 49/6/9
  • image Image 2 for SM (231) 49/6/10 (232) 49/6/9

Reference number

SM (231) 49/6/10 (232) 49/6/9

Purpose

Design and working drawing for the principal staircase of the Board of Trade, June 1826 (2)

Aspect

231 Section through principal staircase 232 Sections of parts of the Principal Staircase

Inscribed

231 Board of Trade Offices Whitehall, Designs for part of the Principal Staircase and some dimensions given 232 as above, Board of Trade, labelled: A, B, Square, Set back ¾, Sunk ¾ or more / if it can be done / without cutting the / Brickwork and some dimensions given

Signed and dated

  • (231) 19th June 1826 (232) 14 July 26 and 1826

Medium and dimensions

(231) Pen, pink and grey washes, pricked for transfer on wove paper with one fold mark (527 x 654) (232) pen and grey wash, pricked for transfer on wove paper (454 x 584)

Hand

(231, 232) Stephen Burchell (1806-?, pupil 1823-28) (232)

Notes

The acroteria above the doors on drawings 231 and 232 echo in style the four pediments in the Privy Council Chamber (q.v. drawings 235-236). On the verso of drawing 232 are several rough drawings of mouldings.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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