Design for the entrance hall of the Board of Trade, August 1825

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Board of Trade and Privy Council Offices, Whitehall & Downing Street: designs for new offices and scheme for the improvement of Downing Street, 1823-33 (284)
    - Designs for the Board of Trade and Privy Council Offices and preliminary designs for the new Home Office, January-September 1825 (60)

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Reference number

SM (175) 49/6/7

Purpose

Design for the entrance hall of the Board of Trade, August 1825

Aspect

175 Plan and Section of part of the Entrance Hall at the Board of Trade &^c; (verso) part plan of one of the commissioners' churches

Scale

bar scale of 1/3 inch to 1 foot

Inscribed

as above, (pencil) 10f^t

Signed and dated

Lincolns Inn Fields / 3^rd Aug^t 1825

Medium and dimensions

Pen, pink, grey and burnt Sienna washes, pricked for transfer on wove paper (604 x 458)

Hand

Soane office

Watermark

J Whatman 1822

Notes

Two alternative designs for the entrance hall at the Board of Trade are given in the elevation. On the left is an opening with an arch and on the right is an opening with an Ionic column, which is also shown in the section on the right of the drawing.
Drawing 175 was made on the verso of a cut-up drawing for one of the commissioners' churches.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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