Working drawing for doorways, July 1825

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Board of Trade and Privy Council Offices, Whitehall & Downing Street: designs for new offices and scheme for the improvement of Downing Street, 1823-33 (284)
    - Designs for the Board of Trade and Privy Council Offices and preliminary designs for the new Home Office, January-September 1825 (60)

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Reference number

SM (174) 49/1/25

Purpose

Working drawing for doorways, July 1825

Aspect

174 Detail of Architrave of Doors; (verso) Plan and Elevation of Doorway with section through doorway

Scale

Full Size, (verso) bar scale of 2/3 inch to 1 foot

Inscribed

as above, labelled: Upper Torus of Base, Architrave, Frieze (twice), Rustic Sinking (twice), Wall Line;(verso): as above, The Board of Trade, labelled: 1, 2, 3, 4, Step 5, Elevation of Doorway, 6'9'', 6'0'', 1'0'' (twice), See Parts at large, (See Parts at large on the other side / of the Paper)

Signed and dated

Lincolns Inn Fields / 8^th July 1825; (verso) Lincolns Inn Fields / 6^th July 1825

Medium and dimensions

Pen, pink and black washes, (verso) pen, pink, grey and yellow ochre washes, pricked for transfer on wove paper (710 x 523)

Hand

(recto and verso) George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60)

Notes

Drawing 174 is an example of the Soane office economising on paper and also perhaps of ease of use for the contractor, having both necessary drawings on a single sheet instead of two separate sheets of paper.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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