[83] Design for a ceiling for Lord Stanley's closet, 1774, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Design for Lord Stanley's closet ceiling, 1774, unexecuted (1)

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Reference number

SM Adam volume 12/140

Purpose

[83] Design for a ceiling for Lord Stanley's closet, 1774, unexecuted

Aspect

Plan of an octagonal ceiling, with a central medallion, enclosed within a circular frame ornamented with miniature rosettes and beading, and this is encircled by triangles containing alternating fans and enclosed calyx, and the fans support eight medallions, which are enclosed within roundels hung from the alternate triangles enclosing calyx, and are partly composed of tubular flowers, calyx, peltoid shields, and arabesques

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the Octagon Dressing room Parlor Story / at Lord Stanley's in Grosvenor Square / not executed

Signed and dated

1774
1774.

Medium and dimensions

Pen and pencil on laid paper (393 x 288)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

IHS / IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 38
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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