[69] Design for a ceiling for the eating parlour, 1774; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Design for the eating parlour ceiling, April 1774; it is not known if this design was executed (1)

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Reference number

SM Adam volume 12/135

Purpose

[69] Design for a ceiling for the eating parlour, 1774; it is not known if this design was executed

Aspect

Plan of a rectangular ceiling, with a rectangular recess, ornamented with a rosette, enclosed within a fan, and encircled by calyx, and screened from the central flat by two columns, and the central flat is ornamented with a central roundel, enclosed within a circular frame ornamented with a wreath, and an oval fluted frame and a shaped Greek cross-shaped frame of beading, with a perfume burner on each side, supported by a turned pedestal, and between the arms of the cross are portrait medallions within wreaths and circular frames of beading, connected by a large oval wreath of calyx, and the whole is set within an oval frame of alternating double calyx and enclosed rosettes, and with a winged sphinx in each corner

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the Eating Room Parlor Story at Lord Stanley's in Grosvenor Square (underwritten in pencil) / (and in pencil) Picture / Frize

Signed and dated

12/04/1774
Adelphi / 12t. April 1774.

Medium and dimensions

Pen and pencil on laid paper (580 x 390)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 38
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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