[19] Finished drawing for a ceiling for the bedroom, 1772, thought to have been executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Soho Square, number 20, London: designs for the house and interior for the Hon. Baron Grant, 1771-72 (27)
      - Finished drawing for a ceiling for the bedroom, 1772, thought to have been executed (1)

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Reference number

SM Adam volume 12/110

Purpose

[19] Finished drawing for a ceiling for the bedroom, 1772, thought to have been executed

Aspect

Plan of a rectangular ceiling, with an apse across one of the long sides, divided by a band of cable moulding, and the central flat is ornamented with a medallion, enclosed within a circular frame of rosettes, a lozenge-shaped frame of reeding, and an oval frame of cable moulding with calyx crockets, and an apron of festoons of bell flowers, supporting peltoid shields, and enclosed rosettes within bell flower wreaths, and the apse is ornamented with a segmental patera, enclosed within segmental frames of cable moulding, with calyx crockets, and an apron of festoons of bell flowers, supporting two military trophies and a peltoid shield

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Cieling for Mr. Baron Grant / The Honble Baron Grant (in pencil)

Signed and dated

1772
1772.

Medium and dimensions

Pen, pencil, wash and coloured washes including terre verte within a single ruled border on laid paper (547 x 381)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

LVG surmounted by a fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 50
Survey of London, 1966, p. 71
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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