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  • image Image 1 for SM (84) 50/1/41
  • image Image 2 for SM (84) 50/1/41
  • image Image 1 for SM (84) 50/1/41
  • image Image 2 for SM (84) 50/1/41

Reference number

SM (84) 50/1/41

Purpose

Design for the rear elevation of the new Board of Trade Offices, July 1824

Aspect

84 Back Elevation; (verso) Plan of the One Pair or Principal Floor

Scale

(verso) bar scale of 1/6 inch to 1 foot

Inscribed

as above, Board of Trade, labelled: 4.0, 4'3'', 4'9'', (pencil) 2.0; (verso): as above, New Council Offices &c, labelled: Waiting / Room, (feint pencil) Council / Room, Presidents Room / 20.0 by 21.9, 16.7 by 18.7, Board Room / 25.6 by 21.9, 22.3 by 17.6, Staircase

Signed and dated

  • Lincolns Inn Fields / 15 July 1824; (verso) Jany 31st 1825

Medium and dimensions

Pen, yellow ochre, black and pink washes on wove paper; (verso) pen, pink, black and grey washes, pricked for transfer on wove paper (533 x 733)

Hand

George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60); (verso) David Mocatta (1806-82, pupil 1821-27)

Notes

Very few rear elevation drawings were made - or survive - for the new offices. Drawing 84 shows a very austere elevation with square-headed windows. Pencil lines show that Soane considered round-headed windows on the first floor. Later rear elevations (drawings 91-92) confirm that round-headed windows were incorporated into the design. Small patches of pink wash indicate floor levels.
The verso of drawing 84 shows the part of the new building containing the new Privy Council Offices. It has an open newel staircase and the Privy Council Chamber is parallel to Downing Street. It fits into the design process between drawings 125 and 126.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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