Scale
(64-66) bar scales of 2/5 inch to 1 foot
Inscribed
64 No 5, Granite if / Time will / permit, (pencil) App[rove]d / 5 June / 1824 and (pencil) some dimensions given
65 as above, Design No 1, No 5, A, B, (pencil) 5 June 1824 omit Rustic / ----- (illegible) between Cornice of Window / & fascia A B, (in Soane's hand) 5 June 1824 / At Fife House. Present / The Earl of Liverpool / The Earl of Harrowby / The Chancellor of the Excheq / The Right Hon Mr William Huskisson / The Right Hon Mr Charles Long, The rustic at / A B to be omitted, App[rove]d & ordered / to be begun / immediately / to be roofd (sic) in by Xmas and calculations on left of sheet
66 as above, Design No 2, No 7, (in Soane's hand) 5 June 1824 Lord Harrowby app[rove]d of this / attic & Ionic order / Ld L[iverpool] objected to the Ionic & ordered it to be Corinthian as in the foregoing design
Signed and dated
- (64) L I Fields / 3 June 1824 and as above ('approved 5 June 1824') (65) L.I.F. / June 1824 and as above (approved '5 June 1824') (66) L.I.F. / June 1824
Medium and dimensions
(64-66) Pen, burnt Sienna, pink, black, olive green and sepia washes on wove paper (545 x 759, 548 x 758, 545 x 753) (64, 66) pricked for transfer
Hand
Soane office
Notes
Drawing 65 corresponds to drawings 60 and 61, the approved design for the new building. The columns across the façade are three-quarters engaged, as opposed to drawing 64 in which they are detached (or 'insulated', as Soane describes them). Drawing 66 corresponds to drawing 62. The note at the top of this drawing suggests that the attic storey from this design was approved as well as the use of the Ionic order but Lord Liverpool objected and ordered that the Corinthian order be used instead. It was also decided that the banded rustication should only go to the top of the ground floor windows (drawing 65). According to a note on drawing 65 the work was 'ordered to be begun immediately to be roofd (sic) in by Xmas'.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
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