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  • image SM (26) 51/6/30

Reference number

SM (26) 51/6/30

Purpose

[26] Variant design for a new House of Commons and for offices, 14 March 1833

Aspect

26 Plan of the Parliamentary Buildings as they existed in 1833, together with the outline of a Design for a New House of Commons submitted to a Select Committee in March 1833 &c

Scale

bar scale of 1/32 inch to 1 foot

Inscribed

as above, (Soane, of Commons) 75 by 85 / and 40 feet high, St Stephens / Chapel, Lobby, Mr Ley, Library of / the / House of / Commons, The Painted Chamber, Long Gallery, The House of Lords, Westminster Hall, The Speakers House, (new rooms on left-hand side) No 4 / Committee / Room, No 5 / Committee / Room, L.G.C. (3 times), Area (twice), Anti room, The New Gallery, Passage, Librarian, Scala Regia, The Bishop's / robing room, The arch / bishops / room, Passage and Lobby

Signed and dated

  • Lincolns Inn Fields 14 March 1833

Medium and dimensions

Pen, sepia, dark red, pink and blue washes, pricked for transfer, with double ruled and wash border on stout wove paper (2 sheets neatly joined) two old repairs with re-used drawings with part-plans, one fold mark (460 x 822)

Hand

Day Book gives Bailey, that is, George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60) and with some Soane inscriptions

Notes

This plan shows the new House of Commons with a design that is a variant of drawing 25 verso and that opens directly into Solomon's Porch and thence to 'St Stephen's Chapel' (the old House of Commons). Soane has blocked-in a new library for the House of Commons between the Painted Gallery and the Long Gallery. And has taken the opportunity to add a number of new offices beyond Westminster Hall as well as committee rooms, Scala Regia and Bishop's robing room on the south side.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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