Scale
(14, 15, 17) bar scales of 2½ inches to 10 feet (16) bar scale of 1¼ inches to 10 feet
Inscribed
14 as above and (pencil) dimensions given
15 as above, (pencil) Votes off[ice]and dimensions given
16 as above, Containing abt 279 ft or 2511 Cubic feet and labelled Press (twice)
17 as above and (pencil) dimensions given
Medium and dimensions
(14) Pen, sepia and yellow washes, pencil, with double ruled border on laid paper (479 x 294) (15) pen, sepia and yellow washes, pencil with double ruled border on laid paper (484 x 296) (16) pen, sepia and yellow washes on laid paper (284 x 476) (17) pen, sepia and yellow washes, pencil with double ruled border on laid paper (482 x 295)
Hand
(14-17) George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60)
Watermark
(14-17) fleur-de-lis above cartouche with bar and below WW (18) W Weatherley 1822
Notes
Drawing 14 is related to drawings 3 and 4 that are also for the Fees Offices which is at ground and first floor levels. Drawings 15 and 16 are for the Votes Office that on drawing 9 is located to the left of the House of Commons. The Journal Offices (drawing 17) is seen also on drawings 5 and 6 and are on the second and attic floors. All the drawings show built-in furniture (labelled 'presses' on drawing 16) which would have described cupboards with drawers, shelves and doors for storing parliamentary papers.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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