Designs for the ground and first floors of the new Board of Trade Offices, January-February 1824 (6)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Board of Trade and Privy Council Offices, Whitehall & Downing Street: designs for new offices and scheme for the improvement of Downing Street, 1823-33 (284)
    - Designs and working drawings for the new Board of Trade and Privy Council Offices, December 1823-October 1824 (106)

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Reference number

SM (26) 50/1/9 (27) 50/1/10 (28) 50/1/13 (29) 50/1/14 (30) 50/1/15 (31) 50/1/16

Purpose

Designs for the ground and first floors of the new Board of Trade Offices, January-February 1824 (6)

Aspect

26 Plan Design for Ground Floor
27 First Floor Plan
28 Plan of the Ground Floor
29 Plan of the Principal Floor
30 Ground Floor Plan
31 Plan of the Principal Floor

Scale

(26-31) bar scales of 1/6 inch to 1 foot

Inscribed

26 as above, Design N^o 2, Board of Trade, labelled: Entrance Hall
27 as above, Design N^o 2, Board of Trade, labelled: Rooms for the President & Secretary, Board Room, door, Anti Room, Vice President & Secretary, Gallery of Communication, Chief / Clerks Room, Clerks Room, Staircase, Waiting Rooms
28 as above, Board of Trade, (in Soane's hand) Mihi turpe relinqui est, labelled: Entrance Hall, Staircase, Passage leading to the Treasury
29 as above, Board of Trade, (in Soane's hand) Mihi turpe relinqui est, labelled: omit, 21'6'' by 22'6'', Board Room / 32'0'' by 22'6'', Staircase (twice), Lobby
30 as above, Board of Trade, labelled: Area (twice), Entrance Hall ^&c, Staircase, Passage leading to the Treasury
31 as above, Board of Trade, labelled: Centre, Board Room

Signed and dated

(26) 22^nd Jan^y 1824 (27) 23^rd January 1824 (28) Lincolns Inn Fields / February 1824 (29) Feb^y 1824 (30, 31) 4^th February 1824

Medium and dimensions

(26, 27) Pen, red pen, pink and sepia washes, pricked for transfer with triple ruled and black wash border on wove paper (544 x 742, 545 x 740) (28) pen, pink, sepia and blue washes, pricked for transfer with six ruled and black wash border on wove paper (539 x 730) (29) pen, pink and sepia washes, pricked for transfer with six ruled and black wash border on wove paper (534 x 728), lower right corner missing (30) pen, pink, sepia and blue washes, pricked for transfer with six ruled and black wash border on wove paper (533 x 725) (31) pen, pink and sepia washes, pricked for transfer with six ruled and black wash border on wove paper (530 x 722)

Hand

(26, 27) Charles Edward Papendiek (1801-35, pupil 1818-24) (28-31) George Bailey (1792-1860, pupil then assistant 1806-37, curator 1837-60)

Notes

Drawings 26-31 may be paired so that they form three alternative designs for the ground and first floors of the new Board of Trade offices (that is, 26-27, 28-29 and 30-31). The first design has an imperial staircase, the second has a geometrical staircase and the third has an open newel staircase behind the entrance hall. The three designs match the elevation drawings 22, 32 and 33 respectively. The design for columns on either side of the doors in the Board Room on drawing 29 may be the germ of Soane's later designs for the interior of the Privy Council Chamber.
The phrase 'mihi turpe relinqui est' ('it is shameful for me to be left behind'), which appears on drawings 28 and 29, was first used by Soane in 1777 as a motto on his competition drawings for St Luke's Hospital (q.v. Public Buildings: London: St Luke's Hospital for Lunatics, Islington: unexecuted competition designs, 1777). It is a quote from Horace's Ars Poetica (line 416).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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