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  • image Image 1 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 2 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 3 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 4 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 5 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 1 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 2 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 3 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 4 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27
  • image Image 5 for SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27

Reference number

SM (9) volume 61/118 (10) volume 61/120 (11) volume 61/121 (12) 50/2/28 (13) 50/2/29 (14) 50/2/12 (15) volume 61/119 (16) 50/2/10 (17) 50/2/27

Purpose

Survey drawings and details of the old Board of Trade Offices and Board Room, September 1823 (9)

Aspect

9 Perspective View of the Board of Trade Office 10 Plan & Section of the Ceiling of the Board Room 11 Details of Ceiling &c in the Board Room 12 Plan and Section of the Ceiling of the Board Room in the Old Board of Trade Offices at Whitehall taken down in 1824 13 Plan and Section of Ceiling in One of the Rooms of the Old Board of Trade Offices taken down in 1824 14 Section of the Ceiling of the Board Room in the Old Board of Trade Offices Whitehall taken down in 1824 15 Interior perspective View of the Board Room 16 Composite drawing with View of the Board of Trade Whitehall, View of the Board Room and Sections of the Board Room 17 Details of Parts of the chimney-piece and Plan and parts at large of the ceiling in the Board Room at the Board of Trade Whitehall

Scale

(14) bar scale of 2 inches to 1 foot (16) bar scale of 3/8 inch to 1 foot (17) bar scales of 3/8 inch to 1 foot and 3 inches to 1 foot

Inscribed

9 as above and vertical dimensions given 10 as above, Old Board of Trade Offices and dimensions given 11 as above, Old Board of Trade Offices and dimensions given 12 as above, labelled: Centre to Short radius, Centre to Long / Radius, Level of Block Cornice under Side, Level of Block cornice, Length 22ft 9in and dimensions given 13 as above and dimensions given 14 as above, (pencil) Radius of Long Line and dimensions given 15 as above and vertical dimensions given 16 as above and vertical dimensions given 17 as above and dimensions given

Signed and dated

  • (9) 30th Augt / 1823 (10, 11) 2d Sepr 1823 (15) 3rd Sepr / 1823 (16, 17) Septr 1823

Medium and dimensions

(9) Pen, burnt Sienna, sepia, yellow ochre and blue-grey washes with black wash border on wove paper (250 x 354) (10, 11) pencil on wove paper (280 x 360, 280 x 360) (12, 13) pen and grey wash, pricked for transfer on wove paper with one fold mark (440 x 590, 496 x 595) (14) pen and grey wash on wove paper with one fold mark (438 x 632) (15) pen, grey, brown madder, raw Sienna and black washes with quadruple ruled and black wash border on wove paper (247 x 355) (16, 17) pen, burnt Sienna, sepia, yellow ochre and blue-grey washes with triple ruled and black wash border on wove paper (612 x 724, 620 x 725)

Hand

(9-17) Charles Edward Papendiek (1801-35, pupil 1818-24)

Watermark

(12, 13) 1820 (16) James Whatman (17) Turkey Mill Kent

Notes

The old Board Room is located on the first floor of the block labelled 'Board of Trade' on drawing 5. The window shown on drawing 16 is the same as the large window second to the right on the first floor shown on drawing 9. The dimensions of the room are 22 feet 7 inches by 16 feet 6 inches. The room has several notable features which survive from the house of the Duke and Duchess of Monmouth. These include an ornate chimneypiece and a coved ceiling with a central dome decorated with wreaths and foliage with the initials JAMB (James and Anne, Duke and Duchess of Monmouth and Buccleuch) and ducal coronets, of which a plaster cast was taken and can be seen in Sir John Soane's Museum (M34). Soane intended to preserve the ceiling and parts of it were reused in the new Board Room.
A drawing by Thomas Rowlandson and A. C. Pugin of the old Board Room was included in Rudolph Ackermann's Microcosm of London (3 volumes, 1808-11).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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