[3] Preliminary design for the upper register windows in the hall, c1761, executed with minor alterations

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Robert and James Adam office drawings
- Country houses
  - Syon House, Brentford, Greater London: designs for the interior and the park for the 1st Duke of Northumberland, 1761-69 (69)
    - Preliminary design for the upper register windows in the hall, c1761, executed with minor alterations (1)

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Reference number

SM Adam volume 54/3/55

Purpose

[3] Preliminary design for the upper register windows in the hall, c1761, executed with minor alterations

Aspect

Rough elevation for a rectangular window, with an architrave composed of a base rail of fluting and laurel leaves, flanked by scrolls supporting fluted tapering pilasters, ornamented with enclosed rosettes and lion masks, and with strigils in the lintel

Scale

not to scale

Inscribed

upper Window for Ld / Northumberlands Hall

Signed and dated

1761
datable to c1761

Medium and dimensions

Pencil on laid paper (89 x 157)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 28
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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