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  • image Image 1 for SM (15) volume 51/5 (16) volume 51/9
  • image Image 2 for SM (15) volume 51/5 (16) volume 51/9
  • image Image 1 for SM (15) volume 51/5 (16) volume 51/9
  • image Image 2 for SM (15) volume 51/5 (16) volume 51/9

Reference number

SM (15) volume 51/5 (16) volume 51/9

Purpose

Rough survey drawings of 11 and 12 Downing Street, undated (2)

Aspect

15 First floor plan 16 Second floor plan

Inscribed

15 (pencil) Mr Dulanys / House / Downing Sqe, 11 Downing Sqe and dimensions given, (added later by Walter L. Spiers, 1848-1917, curator 1904-17) Mr Dulaney's Hse / Downing Street 16 (pencil) 12 Downing Street, Bed Room and dimensions given, (added later by Walter L. Spiers, 1848-1917, curator 1904-17) 12 Downing Street

Medium and dimensions

(15, 16) Pencil on wove paper (281 x 212, 282 x 207)

Hand

Soane office

Notes

Daniel Dulany occupied 11 Downing Street from 1789 to 1824, when ownership of the property reverted to the Government. The Downing Street front of the houses is at the top on both drawings 15 and 16.

Richard Garnier has dated drawing 16 to 1825, 'preparatory to [Soane's] alterations to the house of that date' and notes 'the cross-vaulted space of square plan giving onto the secondary stairs of No. 12' (R. Garnier, 'Downing Square in the 1770s and 1780s', The Georgian Group Journal, Vol. IX, 1999, p. 143).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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