Designs for alterations to 10 Downing Street made by Sir Robert Taylor, 1781-3 (3)

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: 10-12 Downing Street: designs for alterations, 1825 (22)

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Reference number

SM (1) 50/4/9 (2) 50/4/8 (3) 50/4/7

Purpose

Designs for alterations to 10 Downing Street made by Sir Robert Taylor, 1781-3 (3)

Aspect

1 Plan of Kitchen Story of Chancellor of the Exchequer 2 Plan of Ground Floor 3 First Floor Plan (in pencil, added later)

Scale

(1-3) bar scales of 1/12 inch to 1 foot

Inscribed

1 as above, labelled: Servants Hall, (pencil) Shoe Room, (pencil) Powder Room, Passage, Pastry (sic - probably intended 'Pantry'), Kitchen, Washouse, Bakehouse, Scullery, Dry / Larder, Wett (sic) Larder, Passage, Small Beer Cellar, Yard 2 as above, labelled: Dining Room, Waiting Room, (in another hand) Eating room / P Distemper, My Lords Study, (in another hand) Drawing room, Secretarys Room, Library, Lobby, (in another hand) P oil (twice), My Lords / Gentlemans Room, Wardrobe, upper part of Kitchen, Laundry, Maids / Bed Room, Porters Room, Inner Hall, Hall, Downing Street, Houses in Downing Street 3 as above

Medium and dimensions

(1-3) Pen, sepia and (feint) pink washes, pricked for transfer on wove paper, (2) with a flier on wove paper (559 x 342, 553 x 342, 553 x 344)

Hand

(1-3) Sir Robert Taylor

Notes

Drawings 1-3 show the alterations made to 10 Downing Street by Sir Robert Taylor (1714-1788) in 1781-3, including the enlargement of the corridor between the front part of the house and the larger house behind and the substantial rebuilding of the service wing. The entrance to No. 10 is at the top of the drawings. Soane's alterations would be made over the new service block.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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