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  • image SM Adam volume 12/5

Reference number

SM Adam volume 12/5

Purpose

[9] Finished drawing for a ceiling for the back parlour, 1769, unexecuted

Aspect

Plan of a rectangular ceiling with a chimneybreast on one of the long sides, with a central medallion, enclosed within a frame of stiff leaf, and encircled by alternating rosettes and fans, enclosed within a circular frame, and an octagonal frame of Vitruvian scroll which extends around the surrounding alternating square and pentagonal compartments, which contain lozenge stucco panels in the square, and oval medallions hung from festoons, and with an apron of rinceaux in the pentagons, and the whole is flanked by drops of calyx hung from bows, and within a border of guilloche

Scale

bar scale of 3/5 inch to 1 foot

Inscribed

Design of a Cieling for the Back Parlor at Colonel Burgoyne's House.

Signed and dated

  • 1769
    Robt Adam Architect 1769

Medium and dimensions

Pen, pencil, wash and coloured washes including pink, terre verte and Indian red on laid paper (603 x 422)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 40
King, 2001, Volume I, p. 309
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).