[57] Preliminary design for a grate for the circular closet, 1773-74; it is not known if this design was executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Preliminary design for Lady Stanley's circular closet grate, 1773-74; it is not known if this design was executed (1)

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Reference number

SM Adam volume 24/208

Purpose

[57] Preliminary design for a grate for the circular closet, 1773-74; it is not known if this design was executed

Aspect

Rough elevation of a grate, supported by strigilated pedestals, surmounted by paired paw feet and legs, which are ornamented with ram masks and festoons, and the base rail of the grate is ornamented with enclosed anthemia, and an apron of fans, and the grate is segmental, with turned andirons, supported by paired columns, between which are oval medallions, and supporting miniature sphinxes on pedestals ornamented with swags

Scale

not to scale

Inscribed

Sketch of a Stove Grate for Lord Stanleys Cirular Room (verso) rough calculations

Signed and dated

1773-74
datable to 1773-74

Medium and dimensions

Pen on laid paper (231 x 157)

Hand

Robert Adam

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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