[61] Early alternative design for the Pitt Cenotaph

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Books

Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - London: National Debt Redemption Office, Old Jewry, City of London: designs, working drawings and drawings for exhibition, 1817-18, 1819, 1823 (100)

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Reference number

SM volume 60/178

Purpose

[61] Early alternative design for the Pitt Cenotaph

Aspect

Section

Medium and dimensions

Pencil, sepia, raw umber, blue-grey washes, shaded with ruled and black wash border on wove paper (307 x 248) affixed at corners to p.153 of volume 60, numbered 178

Hand

Edward Foxhall (1793-1862, pupil 1812-1821) or Henry Parke (1790-1835, pupil 1814-1820) ?

Notes

This finished drawing by an office hand (Foxhall or Parke ?) does not follow the tribune theme. It consists of a single-storey space defined by four corner piers and eight Greek Doric columns (two to each side, fluted and without bases) which support an entablature which in turn supports a canopy dome with four segmental openings. At the rear is a seated statue of Pitt in Roman dress holding a book.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).