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  • image SM Adam volume 50/80

Reference number

SM Adam volume 50/80

Purpose

[22] Design for the great drawing room, 1773, as executed

Aspect

Plan and laid out wall elevations for a rectangular room, with a shallow groin-vaulted ceiling, with segmental recesses on each wall, ornamented with fans, swags, and connected enclosed rosettes, and under this on one side of a tripartite window, flanked by pier tables and glasses, and one real, and one blind door, with a chimney wall opposite, with the central chimney surmouted by a tripartite overmantel glass, and flanked by arched recesses containing tripartite mirrors, and sofas, and this is flanked by urn-filled niches, and with a central door on each side, all flanked by a commode and rectangular mirror

Scale

bar scale of 3 2/5 inches to 10 feet

Inscribed

Plan & Section of the Great Drawing Room at Lord Stanley's / in Grosvenor Square / (and in pencil) [ ______ ] Green [ ______ ] / [ ______ ] / Caps white & gilt mirror / Columnes white flutes / & gilt fillets / Door light green stiles / Red flutes & gilt fillets / Door pilasters pink / Soffit white Door frize / the same as the room (verso) 4 / 3 Plans for Lord Derby / Lord Derby / Grosvenor Square

Signed and dated

  • 1773
    datable to 1773

Medium and dimensions

Pen, pencil and wash on laid paper (676 x 611)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, p. 66; Index p. 38
Stillman, 1966, p. 74
Harris, 2001, pp. 288, 362
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).