[16] Designs for a lamp and pedestal for the hall, 1779, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Roxburghe House, Hanover Square, London, designs for a house and interiors for John Ker, 3rd Duke of Roxburghe, c1775-79 (55)
      - Designs and an unfinished design for a lamp and lantern for the hall, 1779, possibly executed (3)

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Reference number

SM Adam volume 17/66

Purpose

[16] Designs for a lamp and pedestal for the hall, 1779, possibly executed

Aspect

Centre - Elevation of a pedestal with a draped socle base. The pedestal has tapering pilasters and capitals containing rosettes, with part-paterae set in between. Above this ram masks bear festoons of husks. The pedestal supports a lantern in the form of an urn, and this is ornamented with a band of rosettes and festoons and is surmounted by a pine cone Right - Elevation of a pedestal as above, with minor alterations. The part-paterae and ornamental detail for the urn are omitted

Scale

bar scale of 2 1/4 inches to 1 foot

Inscribed

Term for the Hall at Roxburghe House

Signed and dated

May 1779
22d. May 1779.

Medium and dimensions

Pen and pencil on laid paper (257 x 439)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 40
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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