[17] Variant design (B3-B4) for the front elevation with a three or four-bay attic storey, 23 October 1817

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - London: National Debt Redemption Office, Old Jewry, City of London: designs, working drawings and drawings for exhibition, 1817-18, 1819, 1823 (100)

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Reference number

SM 48/2/9

Purpose

[17] Variant design (B3-B4) for the front elevation with a three or four-bay attic storey, 23 October 1817

Aspect

Front elevation, wall plan and section of wall with flier showing alternative details

Scale

bar scale of 3 inches to 10 feet

Inscribed

National Debt Red (flier, on facade)

Signed and dated

(Soane) 23^dOct: 1817

Medium and dimensions

Pen, brown pen and sepia washes, shaded on thin wove paper recently backed (572 x 709, flier 188 x 422)

Hand

Edward Foxhall (1793-1862, pupil 1812-1821) and Henry Parke (1790-1835, pupil 1814-1820) from Day Book with some additions and erasures by Soane

Watermark

1816

Notes

This is a variant of design A (SM 48/2/32 and SM 48/2/10) and keeps the same overall form. Drawn by Soane, it has a flier so that it offers variant designs for the upper part of the building. Overall, the design is close to SM 48/2/12, that is of five and three bays with a basement, similar windows and rustication; the unsuccessful extrados to each round-arched window has gone. With the flier up (design B3) the right-hand second floor bay has the panel pilasters erased and the end bays of the second floor have each a shallow pediment. With the flier down (design B4) the pediments have been removed and the left-hand second floor window has a cornice roughed-in.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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