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  • image SM volume 115/95d
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Reference number

SM volume 115/95d

Purpose

Drawing 4 (centre of sheet): Unidentified cornice

Aspect

Perspectival elevation of a corner

Scale

Not known

Signed and dated

  • c.1515
    Datable to c.1515

Medium and dimensions

Pen and brown ink and grey-brown wash over black chalk

Hand

Bernardo della Volpaia

Notes

The cornice is a very simple one, with a cyma reversa moulding beneath modillions, and then a corona and a cyma recta moulding at the top. Although without any other distinguishing features, its modillions indicate that it probably belongs to a Corinthian order. The corner view of it seen from below accords with the representational format adopted for depictions of several other entablatures seen in the codex. The freehand execution is typical of many drawings there that were executed after 1514.

Literature

Ashby 1904, p. 48
Census, ID 45645

Level

Drawing

Digitisation of the Codex Coner has been made possible through the generosity of the Census of Antique Works of Art and Architecture Known in the Renaissance, Berlin

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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