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  • image Adam vol.57/130

Reference number

Adam vol.57/130

Purpose

Italy, near Albano: 'Mausoleum of the Horatii and Curiatii'. View of the ruined and overgrown mausoleum known as that of the Horatii and Curiatii, on the road between Albano and Ariccia. In the background are buildings and a campanile.

Aspect

Perspective

Inscribed

Inscribed in ink 130

Signed and dated

  • Undated, possibly September 1755.

Medium and dimensions

Pencil, pen, grey wash183 x 306

Hand

Robert Adam

Watermark

dove on monti

Notes

This drawing was probably made during Robert Adam and Charles-Louis Clérisseau's trip to Albano in September 1755, when they may also have drawn the Tempio della Salute in Adam vol.57/123 and 57/127. The building with the campanile is probably Santa Maria della Stella. Adam's sketch is much less dramatic than the print by Piranesi of 1745/8 in Alcune Vedute di Archi Trionfali, although the viewpoint is similar to Piranesi's later Antichità di Albano e di Castel Gandolfo, 1764-8, pls.V and VI. Adam also owned Bartoli's Gli Antichi Sepolchri, 1697, which illustrates this view. A more detailed version of the view attributed to Clérisseau is found in Adam vol.57/134.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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