[28] Record drawing for mirror frames for the great drawing room, 1774, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Record drawing for the great drawing room recess mirror, July 1774, as executed (1)

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Reference number

SM Adam volume 20/137

Purpose

[28] Record drawing for mirror frames for the great drawing room, 1774, as executed

Aspect

Elevation of a Venetian window-shaped mirror frame, articulated by pilasters ornamented with anthemia enclosed within figure-of-eight, and surmounted by top rails of enclosed anthemia, and the whole is surmounted by a segmental fan ornamented with festoons, calyx and anthemia, and set within a segmental-headed recess, leaving space below, presumably for a sofa, and with some pencil-drawn ornamentation supported by the base rail

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Glass for Recess on each side of Chimney in the Great / Drawing room at Lord Stanley's in Grosvenor Sqr

Signed and dated

27/07/1774
Adelphi / 27t. July 1774

Medium and dimensions

Pen and pencil on laid paper (291 x 438)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index p. 38
Harris, 1963, Index p. 55
Harris, 2001, p. 363
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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