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Reference number
Purpose
Aspect
57 Plan of the yard and outbuildings behind the premises occupied by Mr Gidney
58 Plan of Mr Foster's Premises in Queen Street Norwich
59 Plan of the First Floor of the House in Queen Street Norwich / belonging to Mr W Foster
60 Plan of the Attic Floor of the House in Queen Street Norwich / belonging to Mr W Foster
61 Elevation of the Garden Front of Mr Foster's House in Queen Street Norwich with wall section showing floor levels
62 Plan of Mr Foster's Premises in Queen Street Norwich / shewing the proposed Alterations to adapt them for a / Branch Bank and a residence for a Sub Agent with flier showing Plan of the Basement / under the Bank
Scale
Inscribed
58 as above, labelled: Queen Street, Paved Yard / Cellars beneath, Buildings 3 Stories belonging to Mr Foster / occupied as Offices by Messrs Unthanks & Foster, AA Doorways to be bricked up, Yard, Buildings belonging to Mr Foster, Wall about 8 ft high, Garden, Brewhouse, Yard, Window, Cottages, (pencil) 862 Sqe Yds, Part of the French Church, Harness Room, (pencil) £300, Stable belonging to / Mr Foster / Hay Loft over, Stable Yard, Coach house / belonging to / Mr Foster, A New Wall to be built by Mr Foster, Buildings belonging to Mr Foster / in the occupation of Mr Gidney / 2 Stories, (pencil) £1200, (pencil) 59.0, Shop / Cellar beneath, Parlor (sic), Hall, Kitchen, Servants Hall, Wash house &c, Dining Room, Store Room / or / Footman's Pantry, lettered: A (twice); (verso) Gidney £30 pr Ann
59 as above, labelled: Building belonging to / Mr Foster / in the occupation of / Mr Gidney, Building 3 Stories high / belonging to Mr Foster / occupied as Offices by / Messrs Unthanks & Foster, Drawing Room / 10.7½ high, 1.10 above / Landing a, No 7, 23.1, 2 Closets over Chy, 1.5 below / b, Stairs to Chambers (twice), No 11, Stairs from the Ground Floor (twice), No 10, No 9, 10.4 high, No 8, 17.5, 17.10½, lettered: a, b, steps numbered 1-3 and 1-8
60 as above, labelled: Upper Story of / Messrs Unthanks & / Fosters Offices, Upper Story of House / occupied by Gidney, No 1, No 2, No 3, No 4, No 5, No 6
61 as above, A considerable portion of the Brickwork is covered with the Ivy, 2.0 (twice), Brick (twice), brickwork very defective, very defective (twice), Roof covered with glazed Pantiles, Section through Centre, 6'11'', 9'7'', 10'4'', 8'3''
62 as above, NSEW compass point, B / 14, labelled: Iron Railing & Gates, House & Shop occupied / by Gidney / Fruiterer &c, Paved Yard, Pebbles (twice), Messrs Unthanks / and Fosters / Offices, A Carpenters Yard & Shops, Garden, Chy, Brewhouse / &c, Yard, Servants / WC, Pantry, Wash house and / Scullery, Wood Coals &c, way to Garden, Door, Covered way to Offices, Kitchen, Desk (3 times), Bank / 9'7'' high, 15'10'', 26'3'', Counter, Steps to the Treasure / Vault, Porters Room / 18'0'' by 9'6'', Closet (twice), Hall and Staircase, Door, Entrance to the Bank &c, Agents Private / Room / 11'9'' by 17'8'', Wood Door, Iron Door, Book Room, Sash Door, Waiting Room &c / 9'6'' by 10'0'', and flier labelled: Treasure / Vault, Steps up to the Bank
Signed and dated
- (56, 58) June 1828 (59, 60) 15th June 1828 (61) 17th June 1828 (62) Lincolns Inn Fields / June 1828
Medium and dimensions
Hand
Watermark
Notes
Old glue residue on the verso of drawing 57 matches up with marks at the bottom right corner of drawing 56, indicating that the former was previously affixed to the latter and became detached at some point, after which it received its own reference number. The irregular shape on the right of drawing 57 is part of St Mary the Less, a French Protestant church in Soane's time.
Level
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).