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  • image SM (26) 56/11/25

Reference number

SM (26) 56/11/25

Purpose

Survey drawing of premises in Gentleman's Walk, Norwich

Aspect

26 Plan of ground floor and adjacent buildings and front Elevation

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

as above, Shop, Staircase, House on the Same Estate, Yard, Old Cottage, Gentlemans Walk, Post Office Court, some dimensions given, (added in pencil) Private Entrance, Hall, Counting / House, Warehouse, belonging the same parties but / at present under Lease, Warehouses / & / Yard and on the first floor [illegible] / The Room over the Shop [illegible] / 24 by 18 and may be extended [illegible] / feet long 33 beyond a long Counting / Room and also four [illegible] / good Bed Rooms / Entirely Freehold the / Outgoings but a Land Tax / £8.8 per annum / Price £4500 and (pencil) compass points marked N S E W

Medium and dimensions

Pen, black ink wash, pencil on laid paper with four fold marks (478 x 374)

Hand

local surveyor

Watermark

J Whatman 1827

Notes

A three storey house over a shop located on the east side of Market Place. The dimensions given show it to be 18 feet 6 inches at its widest (the shop) and 12 feet 6 inches behind which would probably have made it too small for a branch bank. It is similar in design to the premises shown in drawings 27 and 28 though larger. A property in Queen Street was eventually chosen (q.v.). Gentleman's Walk was pedestrianized in 1988 (N. Pevsner and B. Wilson, Norfolk 1: Norwich and North-East, 1997, p.313).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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