[1] Finished drawing for the house and stables, 1771, executed with minor alterations

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Robert and James Adam office drawings
- Town houses
  - London
    - Soho Square, number 20, London: designs for the house and interior for the Hon. Baron Grant, 1771-72 (27)
      - Finished drawings for the house and stables, 1771, drawings 1-3 executed with minor alterations (6)

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Reference number

SM Adam volume 42/52

Purpose

[1] Finished drawing for the house and stables, 1771, executed with minor alterations

Aspect

Plan of the ground storey of an L-shaped plot for a townhouse, including a seven-bay terraced house, with domestic rooms at the front, a walled garden and library in the middle, and eleven-bay stables at the back

Scale

bar scale of 2 inches to 10 feet

Inscribed

Mr Baron Grants house / Soho Square Parlor Story (all in the hand of William Adam) / No 20 (in pencil) / Stable / Cold Bath / Coach House / Coach House / Coach House / Staircase / Room for boiling of / Horses Meat / Stable / Water Closet / Stairs / Library / Book Room / Area / Mr Baron Grant's Dressing Room / Back Stairs / Great Stairs / Back Parlor / Water Closet / Hall / Lobby / Dining Parlor and some measurements given

Signed and dated

1771
datable to 1771

Medium and dimensions

Pen, pencil, wash and coloured washes including yellow and green on laid paper (588 x 827)

Hand

Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Watermark

D&SBLAUW IV and an X within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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