Inscribed
11 as above, arched / 9" below / ab, Stone / Meat (?) table and dimensions given
12 (pen) Bank of England 1827 / (pencil) Albion Street Leeds
13 (pen) Sketch of a House in Park Row Leeds, / offered as "a Branch Bank"
14 as above
15 Ditto (presumably Albion Street) and some dimensions given
16 Messrs Farrer Williamson & Co premises Albion St Leeds
Signed and dated
Medium and dimensions
(11-16) Pencil on laid paper leaves in a leather bound sketchbook (286 x 214)
Hand
(11-16) George Bailey (1792-1860, pupil then assistant, 1806-37, curator 1837-60) and (11, 12, 14-16) titles added later by Walter L. Spiers (1848-1917, curator 1904-17)
Watermark
(11-15) J Whatman 1825
Notes
These preliminary pencil survey drawings are in a slim, leather-bound sketchbook that is one of 11 such sketchbooks in Soane's collection. The front part of the sketchbook has (inscribed by George Bailey probably when curator 1837-60): 'Miscellaneous Sketches of the / House at Ealing [Pitzhanger], built by / Sir John Soane in the Years 1802-4. / taken by C. J. Richardson / July 1832'. Charles James Richardson (1806-1871) was a pupil in Soane's office from February 1824 to January 1837. The drawings show more buildings than the finished survey drawings (17-19) which are restricted to a three-bay building and its hinterland of yards and gardens as well as domestic offices. The rough section/elevation (drawing 16) shows seven or eight adjacent buildings fronting Albion Street while drawings 12-13 show four.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).