[42] Design for a door panels for the Etruscan dressing room, 1774, executed with alterations

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Preliminary designs and design for the Etruscan dressing room door panels, 1774, executed with alterations (3)

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Reference number

SM Adam volume 52/110

Purpose

[42] Design for a door panels for the Etruscan dressing room, 1774, executed with alterations

Aspect

Elevation of three door panels, the top panel is square, and contains a medallion, enclosed within a wreath, the central panel is rectangular, and contains an oval medallion, enclosed within a wreath, surmounted by an urn containing flowers, and with drops of calyx and tubular flowers hung from the handles, and supported by arabesques, festoons, and a tablet containing a half-figure and arabesques, and ornamented with ram amsks, and urns containing anthemia, and the bottom panel is rectangular, also with a central oval medallion enclosed within a wreath, surmounted by a wreath tubular flower and urn, containing an anthemion, and with drops of calyx and tubular flowers hung from the handles, and supported by an eagle enclosed within a wreath, winged half-horses, and a tablet containing a roundel flanked by swags

Scale

bar scale of 2 3/5 inches to 1 foot

Inscribed

Lord Stanleys Pannels

Signed and dated

1774
datable to 1774

Medium and dimensions

Pen and pencil on laid paper (151 x 136)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 38
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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