[22] Design for a chimneypiece for the eating room, 1772, thought to have been executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Soho Square, number 20, London: designs for the house and interior for the Hon. Baron Grant, 1771-72 (27)
      - Design for a chimneypiece for the eating room, 1772, thought to have been executed (1)

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Reference number

SM Adam volume 22/294

Purpose

[22] Design for a chimneypiece for the eating room, 1772, thought to have been executed

Aspect

Elevation of a chimneypiece, with fluted pilaster stiles, with capitals of acanthus and calyx, and with a frieze ornamented with alternating urns and masks enclosed within wreaths, and with an x-shaped arrangement of thyrsi(?) accompanied by a wreath in the capitals

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Mr. Baron Grants Eaing room Chimney / Baron Grants Eating room Chimney (in pencil)

Signed and dated

29/08/1772
Adelphi August 29th / 1772.

Medium and dimensions

Pen and wash on laid paper (407 x 291)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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