[16] Design for a chimneypiece for the second drawing room, 1773, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Grosvenor Square, number 23 (number 26 from 1862), London: designs for interior decoration and furnishings for Lord Edward Stanley, (later 12th Earl of Derby), 1773-75 (94)
      - Alternative preliminary design and designs for the second drawing room chimneypiece, 1773-73, Adam volume 23/46 as executed (3)

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Reference number

SM Adam volume 23/45

Purpose

[16] Design for a chimneypiece for the second drawing room, 1773, unexecuted

Aspect

Elevation of a chimneypiece, with console stiles ornamented with fluting, lion masks, and scrolled hearts, and with a frieze ornamented with scrolled hearts, and alternating oval medallions and urns on pedestals, connected by festoons, and with winged sphinxes in the capitals

Scale

to a scale

Inscribed

Chimney Piece for the Second Drawing Room. / for Lord Stanley in Grosvenor Square and some measurements given in pencil

Signed and dated

1773
1773.

Medium and dimensions

Pen and pencil on laid paper (405 x 281)

Hand

Adam office hand, possibly Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 38
Harris, 2001, p. 362
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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