[1] Design for a chimneypiece for the drawing room, 1768, as executed

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Robert and James Adam office drawings
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  - London
    - Grosvenor Square, number 5, London: executed designs for two chimneypieces for the 5th Duke of Beaufort, 1768 (2)
      - Designs for a chimneypieces for the drawing room and dining room, 1768, as executed (2)

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Reference number

SM Adam volume 22/240

Purpose

[1] Design for a chimneypiece for the drawing room, 1768, as executed

Aspect

Elevation of a chimneypiece, with stiles ornamented with drops of calyx hung from masks, with a frieze ornamented with enclosed rosettes alternating with bows supporting festoons, and with urns in the capitals

Scale

to a scale

Inscribed

Design of a Chimney Piece for the Drawing Room at His Grace The Duke of Beaufort's / House in Grosvenor Square / (and in pencil) Front Drawing ro[cropped] / for Mr Harley / Drawing room / wing front [cropped] / + / Marble front and measurements given in pencil

Signed and dated

1768
1768

Medium and dimensions

Pen and wash on laid paper (406 x 292)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 37
Roscoe, 2009, p. 217
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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