[8] Design for a ceiling for the front drawing room for John Devall, 1772, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Mansfield Street, London: designs for interior decoration of eight houses, built as a speculation by Robert and James Adam, 1772-75 (35)
      - Mansfield Street, number 13
        Design for a ceiling for the front drawing room for John Devall, 1772, as executed (1)

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Reference number

SM Adam volume 13/62

Purpose

[8] Design for a ceiling for the front drawing room for John Devall, 1772, as executed

Aspect

Plan of a rectangular ceiling, with a chimneybreast on one of the short walls, and with a central medallion, encircled by a fluted frame, a fan ornamented with calyx, a band of Vitruvian scroll, festoons, enclosed rosettes, and this is flanked by medallions enclosed within wreaths, and there is a rosette enclosed within a fan, and a frame of enclosed anthemia in each corner, and there is a border with rosettes enclosed within lozenges and wreaths in each corner, and along the sides is a repeating pattern of urns supported by calyx, alternating with calyx supported by arabesques

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Cieling of the front Drawing room at Mr. Devalls House in Mansfield Street / in Mansfield Street (in pencil)

Signed and dated

1772
1772.

Medium and dimensions

Pen and pencil on laid paper (603 x 430)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 42
King, 2001, Volume I, p. 83
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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