[1] Design for a ceiling for the front drawing room for Thomas Nicholls, 1772, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Mansfield Street, London: designs for interior decoration of eight houses, built as a speculation by Robert and James Adam, 1772-75 (35)
      - Mansfield Street, number 5
        Design for a ceiling for the front drawing room for Thomas Nicholls, 1772, as executed (1)

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Reference number

SM Adam volume 13/57

Purpose

[1] Design for a ceiling for the front drawing room for Thomas Nicholls, 1772, as executed

Aspect

Plan of a rectangular ceiling, with a chimneybreast on one of the short sides, with a central oval medallion, enclosed within a lozenge-shaped frame, and encircled by an oval frame of Vitruvian scroll, oval frames of cable moulding, an oval band of anthemia enclosed within figure-of-eight bell flowers, festoons hung from bows, and in each corner is a medallion, flanked by half figures, and hung from the festoons by drops of calyx

Scale

bar scale of 7/10 inch to 1 foot

Inscribed

Cieling of the front Drawing room at Mr. Niccols House in Mansfield Street / Mr Nicholls front room Cieling (in pencil)

Signed and dated

1772
1772.

Medium and dimensions

Pen and pencil on laid paper (586 x 452)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 42
King, 2001, Volume I, p. 83
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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