[37] Preliminary design for a carpet for Lady Coventry's dressing room, 1767, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Coventry House, 29 (now 106) Piccadilly, London: designs for unexecuted alterations to the house, and for executed interior decoration, for the 6th Earl of Coventry, 1764-70 (57)
      - Preliminary design for a carpet for Lady Coventry's dressing room, 1767, as executed (1)

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Reference number

SM Adam volume 17/170

Purpose

[37] Preliminary design for a carpet for Lady Coventry's dressing room, 1767, as executed

Aspect

Plan of an octagonal carpet largely echoing the ceiling. There is a central octagonal panel with a rosette encircles by a fan, guilloche, swags, garlands, and vases. There is a border of key meander and arabesques

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Carpet for Lady Coventry's Dressing room

Signed and dated

1767
1767

Medium and dimensions

Pen and pencil on laid paper (293 x 350)

Hand

Adam office hand, possibly Robert Adam or William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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