[9] Alternative finished drawing giving a plan and elevation for a gateway and lodges, 1777, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Knowsley Park, Lancashire: unexecuted designs for a lodge, and alterations and additions to the house, and executed designs for a dairy, for the 12th Earl of Derby, 1776-77 (9)
    - Alternative preliminary design, design and finished drawings for a gateway and lodges, 1776-77, unexecuted (3)

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Reference number

SM Adam volume 29/40

Purpose

[9] Alternative finished drawing giving a plan and elevation for a gateway and lodges, 1777, unexecuted

Aspect

Plan and elevation of a gateway, composed of a carriage arch barred by ironwork gates, flanked by engaged fluted Doric columns, supporting a Doric frieze and a central tablet of figurative relief work, and the attic includes a pedestal supporting a sculpted winged griffon, and the gateway is flanked by three-bay links, composed of a Doric colonnade, barred by ironwork gates, and beyond are single-storey, single-bay domed and pedimented lodges, and the elevation is set within a landscape

Scale

bar scale of 2 inches to 10 feet

Inscribed

Design of a Gateway and Lodge for Knowsley Park (verso) Earl of Derby Gateways & Porters Lodges / 4 / 4 / 10 (in pencil) / This to be placed Tenth (in red pen)

Signed and dated

15/02/1777
Adelphi Febry 15t. 1777.

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (627 x 471)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 20
King, 1992, Volume II, p. 221
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).