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  • image SM Adam volume 43/9

Reference number

SM Adam volume 43/9

Purpose

[6] Design for alterations to the house, c1768-72, unexecuted

Aspect

Plan of the principal (ground) storey of a square house, with a seven-bay principal front, with a central three-bay portico, flanked by tripartite windows, and with the end bays projecting, and an eight-bay garden front, with the end bays projecting and containing tripartite windows, and with seven-bay side fronts, one with a central three-bay bow behind a portico of paired columns, and the other with the end bays projecting, and the house contains reception and domestic rooms

Scale

bar scale of 1 1/4 inches to 1 foot

Inscribed

North (in pencil) / Plan of the Principal Story of Gunton House in Norfolk / The Seat of Sir Harbord Harbord Bart / Private Dining Room / Drawing Room / Breakfast Room / Dining Room / Passage / Billiard Room / Great Staircase / Back Staircase / Lobby / Anti Room / Hall / Passage / Sir Harbord Dressing Room / Closet / Sir Harbord's Bed Chamber / Library / Servants Waiting Room / Powdering Room / Water Closet / Charter Room and some room names underwritten in pencil, and measurements given

Signed and dated

  • 1768-72
    datable to c1768-72

Medium and dimensions

Pen, pencil and wash on laid paper (571 x 483)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

XDB&CB within a cartouche

Literature

Bolton, 1922, Volume II, Index p. 15
King, 2001, Volume II, p, 126
Knox, 2005, p. 7
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).