[7] Preliminary design for an epergne, presumably for the dining room, c1769, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Mamhead, Ashcombe, Devon: designs for interior decoration, alterations to the house, a garden seat, a temple and stable offices for the 1st Earl of Lisburne, 1767-80 (32)
    - Alternative preliminary designs for an epergne, presumably for the dining room, c1769, unexecuted (3)

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Reference number

SM Adam volume 49/33

Purpose

[7] Preliminary design for an epergne, presumably for the dining room, c1769, unexecuted

Aspect

Elevation of an epergne, with five visible legs, with paw feet, and a shaped base rail, supporting a socle and urn, ornamented with gadrooning, fluting, and ram masks, and flanked by foliate serpentine arms supporting dishes, and the urn is surmounted by a turned shaft, supporting arabesque arms and further dishes, and an reticulated segemental canopy with fan-shaped edges, ornamented with miniature urns

Scale

full size, or near full size

Inscribed

Lord Lisburne Epergne (in the hand of William Adam and underwritten in pencil)

Signed and dated

c1769
datable to c1769

Medium and dimensions

Pen, pencil and wash on laid paper (571 x 602)

Hand

Robert Adam, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 22
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).