[6] Design for the third scheme for the building, c1767, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Appleby, Cumbria: unexecuted designs for the town hall, county court and gaol, commissioned by Sir James Lowther, 5th Baronet, 1766-67 (7)
    - Designs for the third scheme for the building, c1767, unexecuted (2)

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Reference number

SM Adam volume 36/20

Purpose

[6] Design for the third scheme for the building, c1767, unexecuted

Aspect

Plan of the principal (first) storey of a three- by four-bay building with tripartite windows on the principal front, and in the two end bays of the garden front, and containing a court, jury room, and town hall

Scale

bar scale of 1 inch to 10 feet

Inscribed

Principal Front of a New Design for a County Court, Town Hall and Goal for Appleby and some measurements given

Signed and dated

datable to c1767

Medium and dimensions

Pen and pencil on laid paper (474 x 287)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 31; Harris, 1971, p. 4
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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