[3] Alternative record drawing for a mirror frame, for the cabinet room, 1772, executed with alterations

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Robert and James Adam office drawings
- Country houses
  - Corsham Court, Chippenham, Wiltshire: designs for frames and tables, for Paul Methuen, 1767-72 (5)
    - Alternative record drawings for a mirror frame, one of which includes a console table, for the cabinet room, 1771-72, executed with alterations (2)

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Reference number

SM Adam volume 20/56

Purpose

[3] Alternative record drawing for a mirror frame, for the cabinet room, 1772, executed with alterations

Aspect

Elevation of a rectangular mirror frame, with the frame ornamented with anthemia, and calyx, with an apron of a tazza, supported by a band of guilloche accompanied by ram masks, and festoons, and surmounted by figures flanking an enclosed urn, supporting rinceaux, a tubular flower, and an anthemion

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Glass frame for Paul Methuen Esqr

Signed and dated

March 1772
Adelphi / 6 March 1772

Medium and dimensions

Pen and pencil on laid paper (292 x 404)

Hand

Adam office hand, possibly Robert Adam or William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 7
Harris, 1963, pp. 49, 80-81
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).