[32] Preliminary design for a chimneypiece for the hall, 1780, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Mamhead, Ashcombe, Devon: designs for interior decoration, alterations to the house, a garden seat, a temple and stable offices for the 1st Earl of Lisburne, 1767-80 (32)
    - Preliminary design for a chimneypiece for the hall, 1780, unexecuted (1)

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Reference number

SM Adam volume 23/134

Purpose

[32] Preliminary design for a chimneypiece for the hall, 1780, unexecuted

Aspect

Elevation of a chimneypiece, with engaged column stiles with lotus leaf capitals, with a frieze ornamented with enclosed rosettes, alternating with ox skulls connected by festoons of beading, and with smoking urns on tripod pedestals in the capitals, and with a pencil-drawn annotation across the right-hand stile showing a plan of that engaged column

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Design of a Chimney Piece for the Hall at Mamhead / Hall Chimney Mamhead (in pencil)

Signed and dated

24/01/1780
Ade[lphi cropped] / 24t Jan[cropped] / 1780

Medium and dimensions

Pen and pencil on laid paper (407 x 292)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 22
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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