[2] Design for a chimneypiece for a dressing room for 41 Portman Square, 1766, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Portman Square, numbers 41 and 21, London: executed and unexecuted designs for alterations, for William Locke, 1765-66 and 1772-78 (9)
      - Design for a chimneypiece for a dressing room for 41 Portman Square, 1766, unexecuted (1)

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Reference number

SM Adam volume 22/230

Purpose

[2] Design for a chimneypiece for a dressing room for 41 Portman Square, 1766, unexecuted

Aspect

Elevation of a chimneypiece, with the stiles and frieze ornamented with a continuous band of guilloche enclosing rosettes

Scale

bar scale of 1 3/4 inches to 1 foot

Inscribed

Chimney Piece for Mr Locke's Dressing room in Portman Square (in the hand of William Adam) / (and in pencil) Wood / Marble / Plain / Plain

Signed and dated

1766
1766

Medium and dimensions

Pen and pencil on laid paper (407 x 289)

Hand

Adam office hand, possibly Robert Nasmith or William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 48
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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