[26] Variant design for a chimneypiece for the great dining room, 1763

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Robert and James Adam office drawings
- Country houses
  - Hatch House (now Mersham-le-Hatch), Mersham, Kent: executed and unexecuted designs for the house and interior for Sir Wyndham Knatchbull-Wyndham, 6th Baronet, and Sir Edward Knatchbull, 7th Baronet, 1762-66 (34)
    - Variant designs for a chimneypiece for the great dining room, 1763, drawing 24 as executed (3)

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Reference number

SM Adam volume 22/127

Purpose

[26] Variant design for a chimneypiece for the great dining room, 1763

Aspect

Elevation and profile of a chimneypiece, with volute stiles, ornamented with fluting, fans, acanthus leaves, patera, and rinceau, with an architrave ornamented with half rosettes enclosed within lunettes, and with a blank frieze and capitals

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Chimney Piece for the Dining room at Hatch House

Signed and dated

1763
1763

Medium and dimensions

Pen and wash on laid paper (330 x 293)

Hand

Adam office hand, possibly George Richardson

Literature

Bolton, 1922, Volume II, Index p. 17
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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