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  • image SM 3/3/12

Reference number

SM 3/3/12

Purpose

[3] Design for alterations and additions, Ground floor plan, 1791

Aspect

Plan of the Ground Floor of the house with outline plan of the offices, and wall plan (verso) unfinished full size detail for an entablature with (?) lion mas, and egg and dart cornice in Soane's hand

Scale

bar scales of 1/6 inch to one foot

Inscribed

as above, Godfrey Thornton Esqr, Design for Alterations and Additions to Mogerhanger House labelled: Eating Room, Mr Thornton's / Dressing Room, Make this / a Sash door / to correspond / with the Windows, Hall, Water / Closet, Drawing Room, Gable (twice), Recess under those above, No 1 This flue is to stand in / mid: of Gable over B and some dimensions and calculations given

Signed and dated

  • 1791
    1791

Medium and dimensions

Black, brown and (faded) red pen, some feint pencil, black and burnt umber washes, hatching, pricked for transfer on laid paper (630 x 477) (verso) pen and pencil

Hand

Possibly Thomas Chawner (1774 - 1851), draughtsman
? Thomas Chawner (1774-1851, pupil 1788-1794), notes and dimensions (recto and details on verso) in Soane's hand
SOANE, Sir John (1754--1837), architect
? Thomas Chawner (1774-1851, pupil 1788-1794), notes and dimensions (recto and details on verso) in Soane's hand

Watermark

fleur-de-lis, encircled (?) V with flourishes

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).